After the memorable Medea by Cherubini, Il Giasonealternates between tragedy and buffoonery, adapting mythological legend to its own ends. The work by Francesco Cavalli, premiered at the Venetian carnival, presents a mosaic of contrasting episodes rich in musical emotion. The most popular opera of the 17th centsury focuses mainly on the loves of Jason and Medea. Cavalli’s music is remarkably evocative. The musica subjugates the drama, and Il Giasone represents the subtle balance between song and speech. Elements of comedy, tragedy and “super-natural” coincide and intermingle. The lamenti by Cavalli are incomparable and represent the climax of the work.

Sung in italian with english and frensh surtitles